Studies of waves and time: paintings by Robert Bickel

May 1, 2012
By Richard Mavis
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Waves by Robert Bickel
The accidental laws of physics, the absoluteness of time, behind everything lies concealed an elegant mathematical formula. The world we see is but a convenient and simplistic approximation, it’s true nature only revealed in riddles and abstractions. It is from this perspective and a history in architectural design that Robert draws inspiration.

As for the subject of the ocean wave, it represents not just physical beauty and force but also a progression in time; a long languid journey from afar, a chaotic deconstruction… then nonexistence.

And as for the subject of “time” itself — an abstraction as omnipotent and poorly understood as this is surely a subject deserving artistic reflection, even if fully unresolved.

Robert Bickel
Gigantic gallery

1720 NW Lovejoy #103
Portland, Oregon
Please join us for the opening on May 3rd, 2012 | 5:30-9:30 pm

Show Ends: 2012-06-03

ORACLE: Week 7

April 30, 2012
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ORACLE is a weekly comic by Portland artist Natalie Phillips

 

 

Brett Superstar’s “Till Next Time” solo show at good:a gallery

April 26, 2012
By Chelsea
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brett superstar at Good: a gallery
April showers brings May flowers, and with the emerging spring flora comes a whimsical herd of Brett Superstar‘s painted bunny rabbits. Good:a gallery will be featuring this Portland artist throughout the month of May, showcasing his latest work that is as dynamic as it is resourceful. Brett’s sharp imaginative portraits are sketched and painted on ornate found objects that include cigar boxes, cases, wood paneling, and any other paintable substrate he can repurpose. His show, titled “Till Next Time”, tips the hat to his go-to subject, rabbits, as he prepares to depart from that comfort zone and shift his artistic prowess in new directions. Without a doubt, his artistic explorations will be rewarding for both this artist and the community. The opening reception for “Till Next Time” is Friday, May 4, from 7 to 10pm at good:a gallery in North Portland. Don’t miss the chance to see these fantastical, adorable, and sometimes mystifying creations before they return to the warren. They won’t be back until next time, whenever that may be.

Want more reminders of current and upcoming shows? Visit us on the web at goodpdx.com.

Free, all-ages show at good:a gallery
4325 N Mississippi, Portland, Oregon
OPENS Friday, May 4th, 2012 | 7-10pm

Show Ends: 2012-05-27

J Shea hanging in San Diego and beyond… interview

April 24, 2012
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zepplin by J SheaHungry Eyeball sits down with Portland artist J Shea and talk about his process, discovery and upcoming shows…


> ( Your art process seems to be on a path of discovery… there are no blueprints, sketches, or solidified ideas… many artists are uncomfortable with this process, how did this develop? )

i think it has developed over time………..after many years in the commercial arts industry…………you grow conditioned to art direction and filterization of your projects………so in many ways its my way of breaking out of that…………..experimenting with a more free-form process……….i still start with an idea……and very loose sketches………..but once i start the sculpture process………it stays very loose…….open to change……….and grow………….its also 3-dimensional……so as you build the piece up…………..its open to move in different directions……….that makes the process much more exciting to me then following a blueprint process…….

as for discovery with this latest collection of work………….its been a lot of experimentation with materials…..and mediums……like clays,resins,plaster and wood………………..also with different types of finishes…………like stains and lacquers………i’m always trying to use new materials in my work……..
transient by J Shea> ( Your sculptures use a lot of found objects, what are some of your favorite objects to find? )

anything with some history……….i like certain kinds of materials………..certain metals and all kinds of wood…….anything with some craft that may have had a sentimental value to someone from the past but has no real value in today’s culture…..i’m not sure what draws me to certain objects…………that remains a mystery……………but i enjoy the process of finding little things at yard sales & flea markets…….and its old world market interaction……………….i could never see myself searching for objects on-line…………i prefer the process of searching outdoors and enjoying the experience of it…….
ride by J Shea> ( Can you tell us about your upcoming show in San Diego with Hellion Gallery, it seems you are literally thinking out of the box? )

matt wagner of hellion gallery recently opened up a new space in san diego…………. and has given me the opportunity of a solo exhibit……..with this show i’m thinking more about designing space then just laying work out on a wall……….for the last few years i’ve been experimenting with mobile type sculpture…..work that hangs from the ceiling……….and has kinetic movements…………..this show “a feeling of transience” takes those concepts to a new level……….and a larger scale………i am attempting to create sculpture that you can not only look at………but experience, because its surrounding you and moving at the same time…………its a bit a departure from my shadow box work………….but its been extremely rewarding creatively………..the work is moving more in the direction of installation……..and i’m excited that i’ve organically moved in that direction slowly over time……….
tension by J Shea> ( Can you tell us about any other art shows or projects coming up? )

i’m fortunate to have a few galleries that present opportunities for me to create personal work……………so it will be another busy year in the studio………i’ll be involved in some shows later this year in chicago…….columbus,ohio………los angeles………and vancouver,b.c…………i feel its really important to get my work out there…………and find new audiences…………whether its a large city or small town………..its a little bit different when the work is sculpture………it often requires a present audience ………………….to see the fine details and craftsmanship…………….
J Shea and cats

ORACLE: Week 6

April 23, 2012
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ORACLE is an experimental weekly 1 page comic by Portland artist Natalie Phillips.

Inspired by a random 6 card tarot spread every week.

This week’s cards: prince of swords, the high priestess, 5 of wands, the lovers, the hanged man, & 9 of wands.

Girls & Boys

April 23, 2012
By Richard Jule
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Richard Jule at Red E cafeNew Artwork by Richard Jule
Jams by Dj 60/40

Red E Cafe
1006 N. Killingsworth St.
Portland Oregon 97217
OPENS 1st Friday May 4th, 2012 | 7-9pm

Show Ends: 2012-06-01

inteREor

April 22, 2012
By Alyssa Kail
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inteREor at Re:Vision Gallery in Scrap“inteREor” is a wonderfully clever collection of furniture and decor made almost entirely out of reused materials by fabREfab and LeDoux.

SCRAP’s Re:Vision Gallery features artwork made from a minimum of 75% reused materials. SCRAP is a 501(c)3 whose mission is to inspire creative reuse and environmentally sustainable behavior by providing educational programs and affordable materials to the community.

fabREfab and LeDoux
Re:Vision Gallery at SCRAP
2915 NE MLK Jr Blvd
Portland OR. 97212
OPENS May 4th, 2012 | 5-7pm

Show Ends: 2012-06-25

Charcoal Drawings of Birds and Insects by April Coppini

April 20, 2012
By Neil M. Perry
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April Coppini artApril Coppini is an artist based in Portland, Oregon, who primarily works in charcoal on paper. Her high contrast, beautifully composed style is among the most distinctive and recognizable in the city. April has new work on display regularly in a range of different spaces. The enormous drawing of a rooster which is on permanent display in Lincoln (N. Williams) is a great example of her work although her subject matter has grown to incorporate an impressive variety of beings beyond the bantam.

The series on display at antler focuses on birds and insects.

We will be serving wine and baked goods courtesy of Black Sheep Bakery.

April Coppini
Antler
1722 NE Alberta St.
Portland, Oregon 97211
OPENS April 26, 2012 | 6-9pm

Show Ends: 2012-05-30

Mark Quemada interview and print release

April 17, 2012
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Love Triangle 1 print by Mark QuemadaPortland Oregon artist Mark Quemada is interviewed by Hungry Eyeball and releases some art prints online in the Eyeball gallery.

> (Your art is dealing a lot with food, do you have any aversions to any foods?)

There are a lot of tastes that I dislike. Fennel is probably the worst thing that I can think of. It actually looks like dessicated rat shit in seed form. This is clearly at odds with my love for a good Sazarac.

> (You lived in Japan, China, and now Portland, what are some of your favorite foods from each place?)

The second time I lived in Japan the local delicacy was called “Zeri Fry.” It was the pulped leftovers from making soy milk, deep-fried, and was covered with shredded pickled ginger and yakisoba sauce. It was truly a delicious bit of heaven.

When I moved to China there was a dish called “Disanqian” which translates into something like “the three earth fairies.” It humbly consists of potatoes, eggplant, bell pepper, and is accompanied by a delicious sauce. I became quite the connoisseur of this dish during my stay in Beijing, as it was one of the few things I knew how to order.

Here in Portland I like to cook for myself. I make a really good curry that is basically unstoppable. The secret to how to make this is that one simply must remember to *whisper, whisper…*
Lean On Me print by Mark Quemada
> (How did your Love Triangles come on to paper?)

In both instances the Triangle shape comes from a sandwich image. Here’s some food for thought for you left brainers out there:

Half a sandwich is triangular + I love sandwiches = a Love Triangle.

But really, The Love Triangles are largely informed by the drawings I did before them. Love Triangle 2 comes from an illustration called “Hormel Hell” which is a study of the chunks found in low grade lunch meat. Love Triangle 1 comes from a drawing called “Lean on Me” which is a sandwich edge resting against a bookend.
Love Triangle 2 print by Mark Quemada
> (What’s your dream job?)

I’ve been making “Glamour Shots” of people’s least/favorite food recently, and think that it would be a nice niche market to be known for – especially here in Portland where people are serious about their love for food. The trick is to draw out a compelling story from the client about why they love or loathe these foods, and turn it into something interesting rather than just a static still life drawing.

> (What do you love about life?)

“To crush your enemies — See them driven before you, and to hear the lamentation of their women.” Just kidding, that’s a quote from Conan the Barbarian. For the past decade I’ve been reading and collecting all of the Conan pulp novels, which there are many of. When I’m done hunting for the last two that I need I plan on reading them in chronological order according to Conan’s lifespan. I love doing research on a subject I’m passionate about and being able to examine the different facets it has to offer.

> (Can you tell us about any future art plans?)

I’m working on a series of new illustrations called “The Godmother Method” which highlights the way in which my Godmother tried to lose weight, stop smoking, and cut down drinking. Hopefully you’ll be able to see them in a few months!

Check out Mark Quemada’s art prints in the Hungry Eyeball gallery.Friends With Benefits print by Mark Quemada

ORACLE: Week 5

April 16, 2012
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Oracle: Week 5 by Natalie Phillips

ORACLE is an experimental weekly 1 page comic by Portland artist Natalie Phillips.

Inspired by a random 6 card tarot spread every week.

This week’s cards: 10 of cups, 6 of wands, the hierophant, 5 of cups, 10 of swords, 5 of wands